It began slowly—the plague, the greed, the riots. Revolutionaries rose up behind symbols, murals, and songs, while the masses were fed machinery and religion. In the wake of the destruction, politicians deemed art a dangerous thing—a worthless thing—and the masses agreed. They took away the paint, the books, and the instruments. But they could not wholly silence the artists. These are the stories they left behind. 

NB: A few weeks ago, I had the pleasure of chatting with Pike Place Market. During our talk, Pike Place spoke briefly about their friend The Gum Wall. Now that we are clear of the market’s holiday hustle and bustle, Gum Wall has made time to connect with us and share some secrets. Welcome, Gum Wall, and thank you for speaking with us today.

The theater is a triplex with the largest of its three screens on the street level. The lobby is adorned with history. Photos of the original iterations of the theater line the wall with a look at what the demolition and reconstruction process was like for the theater in 1998. Within the lobby there’s a classic snack bar with everything a movie goer needs. Above your head, notice the unique glass lighting fixtures that look like jellyfish, which complements the theater's maritime theme, more evidence of which is scattered throughout the space. 

For discussion this week, I chose a poem from Reyna Biddy’s poetry collection, i love my love. Published back in 2015, I was exposed to her work for the first time in college during one of my poetry workshops. After reading it several years ago, I wanted to reread it with fresh eyes and an open heart.

Although the collection goes through ups and downs of self-doubt and self-confidence, Biddy reflects on her parents’ relationship as well as the greatest love of all: self-love. Biddy’s poem “for you” speaks to this ideal through a power anthem that invites the reader to act.

This morning, I awoke to the news that one of my favorite authors walked beyond the veil on February 9. Tom Robbins, a prolific novelist, was born in North Carolina in 1932, then relocated to Washington State in the 1960s. He wrote with a bohemian playfulness and humor that often belied his philosophical style and was once most accurately dubbed “The Northwest’s Master of Zen-Punk” by Seattle Weekly writer Roger Downey in 2006.

As they wrapped up the speeches and braced for the ribbon cutting, Savanna Boles was invited to sing. During her rendition of “Swing Low, Sweet Chariot”, it began to snow. At first it was a magical dusting, but as the music swelled, so did the weather. We followed the singer as everyone was ushered inside and out of the cold. A few joked that the ancestors were saying, "Get on with it, it's cold!" Inside the music switched to a vocal accompaniment to “Glory,” and the ribbon was cut. With that, the Washington State Black Legacy Institute was officially open.

When life gives you a book about frogs, by golly, you’ve got to jump on it.

This week I discovered Frog Day, a stupendously cute and informative book all about frogs and toads and the wonderful world they live in. From the Earth Day series of the University of Chicago Press comes a 24-hour story about 24 different frog and toad species, written by herpetologist (a biologist who studies amphibians and reptiles) Marty Crump and illustrated by local Seattle artist Tony Angell.

Nicole Bearden (NB): Since we are deep into Seattle’s dark days (Winter), I thought it was about time to talk to our most famous, local, glacial icon: The Seattle Freeze. Thanks so much for joining us today, Freeze. What have you been up to?

Seattle Freeze (SF): Oh, just chilling. The usual.

NB: Snorts Oh! Ha. Very funny.

It’s no secret that the housing problem facing the city of Seattle has already reached emergency levels, and we absolutely cannot delay action any longer. Data from the Department of Housing and Urban Development and the U.S. Census Bureau's 2009 and 2019 American Community Surveys shows that Seattle rent prices have increased nearly 92% since 2010.  Gone are the days of thinking we can continue with the status quo and hope to achieve a different outcome.

I Sing the Salmon Home: Poems from Washington State, edited by Rena Priest, is a poetry anthology full of diverse poems celebrating the tales of the epic fish. Priest states in the preface of the anthology that this passion project of hers stemmed from how “salmon are a keystone species, which means everything relies on them, and if we want to be okay, the salmon must thrive.”

3 weeks, 12 venues, 100+ performances. The San Francisco Sketch Festival (SF SketchFest) is renowned as the largest festival dedicated to stand-up, improv, sketch, and all comedic art forms. The 2025 world-class lineup includes Bill Murray, Kathryn Hahn, Tim Curry, the casts of Futurama and Children’s Hospital, and an anniversary staged reading of Airplane!

After John Oliver’s aggressive campaign for the Puteketeke to become New Zealand’s Bird of the Century, it seemed only right that I follow in his footsteps to elect my own Pacific Northwest Bird of the Century. I may not go so far as to don a giant bird-suit on live television (like John Oliver did on Jimmy Fallon’s The Tonight Show), but I’ll happily offer up my own strong opinions of the little flying creatures we see around the Sound. So buckle up for the Top 10 Birds of the PNW, culminating in my pick for the PNW’s Bird of the Century.

Nicole Bearden: Zdravstvuyte, today we are speaking with the Fremont Lenin statue. (I don’t speak Russian, but I learned the phrase for “hello”, just for today).

Lenin Statue: Hello. I do not speak Russian.

NB: Aren’t you a Lenin statue? I thought Lenin was Russian?

LS: Lenin was Russian. My nationality is more complicated. I was created by a Bulgarian, for Czechoslovakia, and have now been in the Capitalist States of America since the ‘90s. What is nationality anyway? What are borders, but arbitrary lines assigned to take power from the many and funnel it to the wealthy?

Ani DiFranco, folk singer and founder of Righteous Babe Records, is returning to Seattle, February 1, 2025, to the Moore Theater. In the spirit of her visit, I wanted to select a poem from her poetry collection Verses, published in 2007, which tackles “the tough issues at hand” while “her personal-is-political viewpoint is more relevant than ever”. The collection looks at the importance of art and poetry and how they can be powerful tools in rhetoric when entering political spheres.

I desperately needed an escape this month and happily uncovered one of the most delightful fantasy novels I’ve ever read while scouring the local bookstore. The Scent Keeper by Erica Bauermeister creates a cozy atmosphere right off the cuff, weaving lyrical writing with gloriously sensual descriptions of scents to create a reading experience that feels like no other. I have never had a novel tug at my sense of smell quite like this one; it brings to mind memories old and new, just as it does for the main character of the novel, Emmeline.

I feel fear. I know what it is like to have every aspect of your identity under threat. To realize every day you live that the world you know was specifically designed against your best interest—against the interest of most with the exception of the few in power. Hate is not sustainable, but it’s easier to turn fear into hate rather than love. It’s challenging to see this all take place and not be overwhelmed with fear. 

To keep a level head, it is important to be prepared. We don’t know what the future has in store, but there are basic things that you can do to increase the safety of your loved ones.

A Light in the Attic, like other works, was banned for Silverstein’s depiction of challenging authority, igniting disrespectful behavior, and promoting disobedience. The book’s most “problematic” poem “How Not to Have to Dry the Dishes” puts a spin on chores and suggests children to break dishes to escape washing them.

With children making up Silverstein’s target audience, the book made its way across households and schools until it was ultimately banned in both Wisconsin and Florida. Considering this, I knew it was a necessary read as I wanted to investigate it further. The poem I chose for this week is “A Light in the Attic” that shares the same name as the collection and appears first.

Finally! Another Seattle drag queen becomes an official RuGirl!

Arrietty, a local Seattle drag queen, is one of the fortunate queens to make it to the newest season of RuPaul’s Drag Race (Season 17). Having premiered on January 3, 2025, this season is sure to be a refuge in a time when queer people need it the most.

BS: The more people change, the more they remain the same. People, seasons, time—they all cycle, they all come back to incipience.

I bear witness to the spinning wheels of time, the turning clock of seasons, and the joys and sorrows of man—I bear it all and it is both a heavy burden, and a lightsome ecstasy. 

A trio of squirrels playing tag in my tree friends' branches. The cries of a woman brought to regret by a loathsome monster. And in between are the mediocre events, such as life and death which keep us turning—I see all.

It is tough when a beloved institution closes its doors, but it’s wonderful when it can be given an excellent send off. The Grand Illusion Cinema has been at 1403 NE 50th Street in the U District for over 50 years, the last 20 of which have been as a completely volunteer-run non-profit. The theater will be closing soon and having its final screenings this month.