March ushers in an exciting moment for Washington filmmakers and cinephiles alike as Emergence Films closes applications (and vets participants) for their debut Emerging Filmmakers Program. This is an opportunity for women filmmakers of all backgrounds to gain career experience and guidance from co-founders Sienna Beckman and Rachel Noll James, who collectively have decades of professional experience with credits ranging from independent darlings to entertainment giants like HBO. The program is open to any woman 18 years or older who resides in the state of Washington.

Nicole Bearden (NB): In honor of Seattle’s Faux Spring weather last week, I decided it was time to have a confab with one of my personal favorite Seattle Icons: A Sound Garden. Located on the NOAA campus near Magnuson Park, between Piers 15 and 17 on Lake Washington, A Sound Garden reverberates with hauntingly atmospheric intonations as the wind blows through artist Douglas Hollis’ twelve, 21-foot high, steel tower sculptures. Sound Garden, I appreciate your presence today.

A Sound Garden (SG): a chorus of metallic hums breezing through the air We are delighted to converse with you.

A.K. Burns’ current show, What Is Perverse Is Liquid at Henry Art Gallery, curated by Senior Curator Nina Bozicnik, uses materiality, speculative fiction in the form of short, multi-channel film installations, and sound to envision a future spawned from our current trajectory. Burns’ work centers the queer capacity to thrive in the face of chaos and persecution, and draws a strong connection between our own human resilience and that of nature. 

Seek out designers like Titus Ross of Thirty+ Clothing. He presents an alternative approach, embodying sustainability through the art of upcycling and strengthening community. On January 25, 2025, he showcased pieces from his current collection alongside Clementine Cimetiere of ClemCreations—who debuted on January 26—at the first-ever PNW Fashion Week. The shows took place at the QFC – Quality Flea Center and featured other local artists and advocacy vendors who promote creativity and challenge the status quo.
I spoke with Titus ahead of PNW Fashion Week to discover his inspiration for Thirty+ Clothing and find out what the future of sustainable fashion in Seattle looks like from his perspective as an emerging designer.

NB: A few weeks ago, I had the pleasure of chatting with Pike Place Market. During our talk, Pike Place spoke briefly about their friend The Gum Wall. Now that we are clear of the market’s holiday hustle and bustle, Gum Wall has made time to connect with us and share some secrets. Welcome, Gum Wall, and thank you for speaking with us today.

Nicole Bearden (NB): Since we are deep into Seattle’s dark days (Winter), I thought it was about time to talk to our most famous, local, glacial icon: The Seattle Freeze. Thanks so much for joining us today, Freeze. What have you been up to?

Seattle Freeze (SF): Oh, just chilling. The usual.

NB: Snorts Oh! Ha. Very funny.

Nicole Bearden: Zdravstvuyte, today we are speaking with the Fremont Lenin statue. (I don’t speak Russian, but I learned the phrase for “hello”, just for today).

Lenin Statue: Hello. I do not speak Russian.

NB: Aren’t you a Lenin statue? I thought Lenin was Russian?

LS: Lenin was Russian. My nationality is more complicated. I was created by a Bulgarian, for Czechoslovakia, and have now been in the Capitalist States of America since the ‘90s. What is nationality anyway? What are borders, but arbitrary lines assigned to take power from the many and funnel it to the wealthy?

BS: The more people change, the more they remain the same. People, seasons, time—they all cycle, they all come back to incipience.

I bear witness to the spinning wheels of time, the turning clock of seasons, and the joys and sorrows of man—I bear it all and it is both a heavy burden, and a lightsome ecstasy. 

A trio of squirrels playing tag in my tree friends' branches. The cries of a woman brought to regret by a loathsome monster. And in between are the mediocre events, such as life and death which keep us turning—I see all.

I found them in the middle of their half-workspace, half-gallery corner of flea market paradise. They were surrounded by their signature beso bears and clutching a black marker with a corgi sock as a custom grip. A 6x4’ painting with three bears appearing to pounce in place in a meadow with a stream hung overhead. A few sculptures—conglomerations of various scavenged items—were placed at the edges of this scene to delineate the creative zone.

“There’s Trolls in them thar hills!”

The Trolls of which I speak are, of course, the much talked about sculptures brought to the Pacific Northwest (and beyond) through a unique collaboration between Danish recycle artist and activist Thomas Dambo, Scan Design Foundation, and several Coast Salish tribes—especially members from Muckleshoot and Snoqualmie.

NB: Thank you so much for agreeing to this interview, Mr. Kraken. I think a lot of people were confused when the Seattle Kraken’s mascot turned out to be…not a Kraken. Can you give us the inside scoop?

BK: Call me Brodie. Mr. Kraken is my dad and he's a huge bummer. I’m so stoked to get a chance to set the record straight, man. It’s been heavy since that little troll weirdo got picked over me.

Iconic Convos brings a lighthearted twist to celebrity interviews by conceiving imaginary chats with Seattle's most famous non-human icons.

Nicole Bearden: Before we begin, I would like to thank you, Pike Place, for finding time to speak with me today. I know how busy you are—you never get a day off!

Pike Place Market: Haha, that's right! But I am happy to have the chance to speak on my own behalf for once, and perhaps set the record straight on a few things.

The harmonious pairing of artist Mary Ann Peters and Alexis L. Silva has culminated in a truly outstanding show of Peters’ work at Frye Art Museum, the edge becomes the center. In this show, based on research on displacement and the Middle Eastern diaspora, Peters conducts archival research in several countries (Lebanon, Mexico, and France), then uses her artworks to contextualize her findings. I sat down recently with Peters and Silva to discuss the impetus for this body of Peters’ work and the professional synthesis between artist and curator.

It’s often said that there is the technical and the creative and ne’er the twain shall meet. But local author Lauren Appelbaum aims to show otherwise with the release of her debut novel Rachel Weiss’s Group Chat.

Producer, podcast host, stand-up, improviser, writer, influencer. These are hardly enough words to describe the mega-talent that is Molina Molina. With just three years in the Seattle comedy scene at the age of 23, she has taken the city by storm. I caught up with her to chat comedy, harnessing your voice, and much more as she gears up to perform for her second consecutive year at the San Francisco Sketch Festival (the US’s largest sketch festival), featuring talent like the cast of Futurama and Bill Murray in January 2025

Keen-eyed (read Chronically Online) Seattle Artists know that something has been up lately at 18th & Union, the beloved Central District arts space.

I sat down with marketing director, Jazz Flora, for an exclusive inside scoop:

In early November, On the Boards unveiled a briefly-run but awe-inspiring performance: Indian School by ritualist Timothy White Eagle (he/him) and co-created with Hatlo (they/them) White Eagle. White Eagle is quick to confirm that Indian School is a collaborative effort, and not a solo show.

The SAM VSO Union consists of a group of 54 Visitor Service Officers, or VSOs. On Black Friday, they started their strike. Strikes are typically one of the last options a union will exercise to make clear to their employer and the general public that their working conditions are unacceptable and their concerns up until this point have been largely ignored. Before the formation of the SAM VSO Union, there were a series of escalations in organized action against Seattle Art Museum (SAM) leadership and policies.

“Almost Live!” and “Portlandia”: two sketch comedy shows which expertly skewered Pacific Northwest stereotypes and culture, made national acclaim, and proved to the masses that there are more jokes to be made about Seattle and Portland than “we like coffee!” and “oh look, there’s rain”.  

Loyal fans love these shows for depicting a heightened yet accurate look at living here, such as in sketches like “How Seattle Are You?”, “Colin the Chicken”, “Ballard Driving School”, and “Battle of the Gentle Bands”. Avid binge-watchers of these shows, however, might find themselves wondering…Where are all the Black people?

Local filmmaker Tim Lightell has released a Manbaby into the world. The film is about Sal and Dana, a married couple who encounter a snag in their relationship when Dana reveals she doesn't want kids. Sal comes up with a harebrained scheme, he pretends he's been transformed into a baby, to try and trick Dana into getting on board with the idea of children. Yet, his plan doesn't work out exactly as he hoped.