On June 10, 2025, I had the fortunate and unique opportunity to sit down with Seattle artist Heidi Fairall. Her quirky and whimsical style shows not only to how she perceives art, but life itself, and was refreshing and inspirational for aspiring creatives alike. For myself, she made me think about how I approach the creative process when it comes to my own projects.

Base Camp Studios 2 isn’t just a studio space. It’s a community. It’s a reminder that art lives through people, through shared space, and through the simple act of saying, “Hey, come take a look.” If you are looking for art that moves, surprises, and welcomes you, head to Base Camp. You won’t just see the art. You’ll feel it.

Back in March, I had the pleasure of interviewing Emergence Films’ cofounder Rachel Noll James and discussed the forthcoming Emerging Filmmakers Program. Open to anyone who identifies as a woman, this program’s mission is to elevate marginalized voices in the filmmaking world while giving filmmakers of all experience levels the opportunity to create a feature length movie. A few months later, this year’s cohort of emerging filmmakers has been selected! There are three groups: Team Pocket Topic (Melissa Tumas and Sonia M. Kandathil), Team Mother Tongue (Jo Woods and Sarah Mona), and Team Cosmic Coyote (Mia McGlinn, Ila Dreesen, and Sydney Renee).

It’s very different from my experiences growing up moderately religious in the South. It took away the shame and self-blame. In heteronormative, vanilla sex, there are too many unspoken expectations, too many assumptions about what’s going to happen, that some people just begin following the script without any sort of communication. This, I believe, leads to situations like what 17-year-old me experienced, where I left thinking I had led someone on and realized years later that I was actually assaulted. I don’t know if he knows this though.

On December 7, 1941, the attack on Pearl Harbor marked the start of the United States’ involvement in World War II. It also started a wave of fear and unrest throughout the country, leading to an overwhelming prejudice against Japanese Americans. “Most of us had no ties to Japan,” Lilly Kodama, a survivor, explained. “We had never been there. We had never even seen it.” Similar to the reactionary racism and prejudice against Arab Americans following 9/11, the discrimination against Japanese Americans had no true basis in fact, and President Franklin D. Roosevelt’s Executive Order only created more harm and prejudice against an already vulnerable community.

The term "technical books" makes it sound like there are a bunch of stuffed shirts walking around with large impenetrable tomes, but Ada’s caters to far more accessible scientific, science fiction, and fantasy books. When you browse the shelves, you find that science is a broad category covering the hard sciences like biology and chemistry, the soft sciences like psychology and sociology, and the scientific arts like cooking and architecture.

Elliott Bay is a go-to spot for me. It helps that it is near my home, but it is much more than solely convenience based. The layout and the books they spotlight really draw me in, no matter what the genre is. I find myself gravitating towards genres I’m usually not interested in due to the enticing books they have on display. The staff are helpful without being overbearing, and the attached cafe serves as a nice incentive to stay a bit longer, order food, and relax with a good book.

my heart’s passing: an original poem by Maxwell Meier

A three-part poem from a Black woman in America:

Many of the sandwiches on these “best of” Seattle lists were one or two cities removed. Going to Lynnwood for a good sandwich is fine for some people, but it is not feasible or practical for the majority of us in the city. So, when coming up with my own roundup, I stuck to a few rules. The first was that this was a list of terrific Seattle banh mi, and so should stay within city boundaries. 

Nitroy launched Fancy Plants in fall of 2022. Located on the Ave at the intersection between the University and Ravenna neighborhoods, Fancy Plants is a multipurpose shop where Nitroy hopes to create a welcoming environment for plant carers of all experience levels. Acknowledging that “plants are living things, so they can be really overwhelming emotionally,” Nitroy says that her goal with the store is “trying to make growing plants less stressful and more joyful.” 

In the second month of 2023, I started taking testosterone injections once a week. There had been several years of hand-wringing and self-doubt up to that point. Was this the right decision? What if I regretted it (although few actually do)? What if I drowned in ass hair? 

Let’s be blatantly clear. Queerness isn’t going anywhere.

With Trump taking back office at the end of January, I am just a single drop in the queer sea of confusion, disdain, and fear. Through this trying time, I wanted to gather my thoughts, process them, and share my story of how I got here and where I plan to go.

That date, three days before my 28th birthday, is when the US Supreme Court handed down the decision in Obergefell v. Hodges that ensured same-sex couples the right to marry. I remember crying as I read the news and saw the videos. I was so ebullient in fact that I took to Facebook, started a post with a link to the news story and wrote out, "Now that I can marry anyone I want, I should get going on this whole dating thing," and clicked Post.

I started taking testosterone in February of 2024, a decision made after years of teetering back and forth between comfort and safety. I wanted to be seen as myself. I wanted to look in the mirror and recognize the person who was looking back at me. But I also didn’t want the inherent danger that came with being trans in public—not the flaunting of my identity, but just the mere fact of my existence in the eyes of others. I didn’t decide it lightly.

On February 28, Seattle band Deep Sea Diver released their fourth album, Billboard Heart, their first release on the Sub Pop label. As part of their promotion of the record, the band performed songs from the album on release night at Easy Street Records in West Seattle and hosted a record signing event for fans after the show.

February 12 was, aptly, a bit of a dark and stormy night. Wet snow dripped onto the sidewalks as people in winter coats trudged into Third Place Books in Ravenna. That night, Tacoma-based writer J. Ann Thomas was discussing her newly published novel, The Spirit Collection of Thorne Hall, a Gilded Age romance novel, and her first adult novel. 

Every quarter, SFS hosts the In Focus series celebrating Seattle directors and cinematographers that features shorts, music videos, and more in a diverse range of content. SFS chooses a director who has a strong intention and vision to their stories with robust elements of “framing/staging/blocking, confidence in editing, making distinctive choices, and thematically cohesive style choices,” said the SFS Artistic Director, Marcus Baker.  

February 2025’s In Focus event showcased director and cinematographer June Zandona, known for her work on Penelope, The Sex Lives of College Girls, Special, and I Don’t Feel at Home in This World Anymore. The screening featured three of Zandona’s shorts: Dancer, Wedding Video, and This is Concrete. 

I attended a Martin Luther King Jr. Day march in Seattle’s Central District on January 20, 2025. That day was also the inauguration of our nation’s 47^th president, Donald Trump. Many Americans are tired of talking about politics and Trump. Well, not everyone. I think there’s something about this coalescence of events that stands to unite us more than divide us. Hope stems from the fact that this march, which at times threatened to be more about Trump than Dr. King, ultimately succeeded to underscore the importance of some of the very radical problems King was putting his lifeforce into trying to solve before he was assassinated.

A.K. Burns’ current show, What Is Perverse Is Liquid at Henry Art Gallery, curated by Senior Curator Nina Bozicnik, uses materiality, speculative fiction in the form of short, multi-channel film installations, and sound to envision a future spawned from our current trajectory. Burns’ work centers the queer capacity to thrive in the face of chaos and persecution, and draws a strong connection between our own human resilience and that of nature.