Max’s Musings: Sarah Stockton
Seattle writers are no strangers to their ability to conjure rich imagery through nature.
I Sing the Salmon Home: Poems from Washington State, edited by Rena Priest, is a poetry anthology full of diverse poems celebrating the tales of the epic fish. Priest states in the preface of the anthology that this passion project of hers stemmed from how “salmon are a keystone species, which means everything relies on them, and if we want to be okay, the salmon must thrive.”
The repetition of salmon throughout the anthology can’t help but portray salmon as mystical, spiritual, and ethereal beings. The salmon stands as a symbol for rebirth and the endless cycle of life. Priest concludes how she hopes “that the poems in this collection will carry into the hearts of readers a wish to preserve and protect the gifts of salmon bestowed by a beautiful living earth.” The anthology unites individuals for a common cause.
Each poem that appears throughout the collection stands as a little snapshot of nature as they highlight the unique treasures around the glorious state of Washington. Each poet interprets their own meaning and value of the salmon like dictionary entries.
I Sing the Salmon Home, edited by Rena Priest
The Evergreen Echo
In the introduction of the anthology, co-publisher Holly J. Hughes discusses how imbedded underneath these string of poems “is the indomitable spirit of the salmon heading upstream against all odds”. If anything, a salmon is a good role model to fashion one’s life around. The collection’s theme provides feeling of tranquility and serenity for a brighter future for the Earth.
With many powerful contenders worth reviewing, I finally arrived at “Salt and Other Spells”, written by Sarah Stockton. The poem was originally published in Luna Luna Magazine back in 2019 until it found a second home in the anthology. Stockton “is the founder/editor of River Mouth Review”.
Salt and Other Spells
Inspired by the spawning cycle of
Salmon in the Dosewallips River
We were water once
cynical, transforming
salt and sentiment into scales
anadromous
moving from sea into sweet water
catadromous
fresh to salt
to spawn, traveling
in deep-sea channels
transitioning
from silvery blue
to darker, going home
as we, floundering at water’s edge,
turn in four directions
three visions, seven cycles,
bowing to salmon slipping through water