In February, I was an instructor at an arts-infusion workshop for a group of Seattle Public School elementary teachers. The workshop was held at an amazing multi-arts space that I had no idea existed in Seattle: PublicDisplay.ART. Arts Impact, the organization I teach with, acquired the use of the multipurpose space at no cost—an arts space that can be reserved and used for FREE! “How is that possible?” I asked myself. I connected with Marty Griswold, the Publisher of PublicDisplay.Art (they also publish a hard-copy magazine) and he filled me in on all the details. 

Photo by Stanislav

The annual comics celebration Emerald City Comic Con is a great time to discover local shops that carry books by the incredible artists you met at the show. 

Here are five shops from across the Puget Sound region that will serve all of your geeky needs. These are by no means the only shops to go to, but have made a particular impression on a comic lover like me.

Curry painted iconic musicians from Jimi Hendrix to civil rights activists James Baldwin, Michelle and Barack Obama, John Lewis, and Rev. Dr. Martin Luther King, Jr. Curry titles his show Where Do We Go From Here—prodding conversation about how we continue to fight and move forward as agents of change.I asked Curry how the people in his portraits answer the question posed by his show. “We keep fighting. We keep supporting,’” Curry answered. 

Nicole Bearden (NB): In honor of Seattle’s Faux Spring weather last week, I decided it was time to have a confab with one of my personal favorite Seattle Icons: A Sound Garden. Located on the NOAA campus near Magnuson Park, between Piers 15 and 17 on Lake Washington, A Sound Garden reverberates with hauntingly atmospheric intonations as the wind blows through artist Douglas Hollis’ twelve, 21-foot high, steel tower sculptures. Sound Garden, I appreciate your presence today.

A Sound Garden (SG): a chorus of metallic hums breezing through the air We are delighted to converse with you.

In the 2020s, the topic of sustainability has become a major focus in classrooms—specifically regarding fast fashion, prompting many students to face the fact that their shopping habits or favorite retailers may be harming people and the planet. In recent years, fashion has gained a reputation for being one of the most extractive and exploitative industries. Student organizations play an important role in creating collective change by holding space for education and action, both with their members and their greater campus and local community.

Nicole Bearden (NB): Hello, and welcome to another Iconic Convo with Seattle’s most recognizable icons. Today we are speaking with the Fremont Troll. We appreciate you spending time with us today, Fremont Troll. 

Fremont Troll (FT): Grunts, and nods slowly as dust drifts from his head to float through the air

NB: Now, you’ve been around since 1990. How have you noticed that the city has changed over the past 35 years?

This week we’re taking a look at a book that’s a bit out of my normal reviews here in Parker’s Pages. This one is an interactive Tarot card guide called Every Little Thing You Do is Magic by two Seattle artists, Callie Little and Moorea Seal. While doing my usual rounds of the local bookstore, I came across this guide while digging through the store’s collection of Tarot decks and just knew I had to have it.

A.K. Burns’ current show, What Is Perverse Is Liquid at Henry Art Gallery, curated by Senior Curator Nina Bozicnik, uses materiality, speculative fiction in the form of short, multi-channel film installations, and sound to envision a future spawned from our current trajectory. Burns’ work centers the queer capacity to thrive in the face of chaos and persecution, and draws a strong connection between our own human resilience and that of nature. 

Seek out designers like Titus Ross of Thirty+ Clothing. He presents an alternative approach, embodying sustainability through the art of upcycling and strengthening community. On January 25, 2025, he showcased pieces from his current collection alongside Clementine Cimetiere of ClemCreations—who debuted on January 26—at the first-ever PNW Fashion Week. The shows took place at the QFC – Quality Flea Center and featured other local artists and advocacy vendors who promote creativity and challenge the status quo.
I spoke with Titus ahead of PNW Fashion Week to discover his inspiration for Thirty+ Clothing and find out what the future of sustainable fashion in Seattle looks like from his perspective as an emerging designer.

Three art pieces came to the Seattle Center and are here until the cherry blossoms bloom this April. The Seattle Center, in collaboration with The Office of Arts and Culture, commissioned three public pieces for a short-term display on their campus: two sculptures and one hung banner. 

NB: A few weeks ago, I had the pleasure of chatting with Pike Place Market. During our talk, Pike Place spoke briefly about their friend The Gum Wall. Now that we are clear of the market’s holiday hustle and bustle, Gum Wall has made time to connect with us and share some secrets. Welcome, Gum Wall, and thank you for speaking with us today.

As they wrapped up the speeches and braced for the ribbon cutting, Savanna Boles was invited to sing. During her rendition of “Swing Low, Sweet Chariot”, it began to snow. At first it was a magical dusting, but as the music swelled, so did the weather. We followed the singer as everyone was ushered inside and out of the cold. A few joked that the ancestors were saying, "Get on with it, it's cold!" Inside the music switched to a vocal accompaniment to “Glory,” and the ribbon was cut. With that, the Washington State Black Legacy Institute was officially open.

Nicole Bearden: Zdravstvuyte, today we are speaking with the Fremont Lenin statue. (I don’t speak Russian, but I learned the phrase for “hello”, just for today).

Lenin Statue: Hello. I do not speak Russian.

NB: Aren’t you a Lenin statue? I thought Lenin was Russian?

LS: Lenin was Russian. My nationality is more complicated. I was created by a Bulgarian, for Czechoslovakia, and have now been in the Capitalist States of America since the ‘90s. What is nationality anyway? What are borders, but arbitrary lines assigned to take power from the many and funnel it to the wealthy?

Past the coffee cup, a thriving coffee shop is filled with satisfied customers having the ability to sit at a table, lounge leisurely, and possibly work on a laptop with free wifi. Seattle shops routinely deliver these modest customer requests.

Here are four coffee shops around the Seattle area that can be ideal for finding your next open seat—and of course local art.   

BS: The more people change, the more they remain the same. People, seasons, time—they all cycle, they all come back to incipience.

I bear witness to the spinning wheels of time, the turning clock of seasons, and the joys and sorrows of man—I bear it all and it is both a heavy burden, and a lightsome ecstasy. 

A trio of squirrels playing tag in my tree friends' branches. The cries of a woman brought to regret by a loathsome monster. And in between are the mediocre events, such as life and death which keep us turning—I see all.

A year marked by breathtaking Puget Sound aurora borealis visits may be behind us, but the work of Ballard-based multimedia artist Ginny Ruffner immortalizes the phenomenon with Project Aurora—a newly permanent exhibit at the National Nordic Museum. The medium of LED lights guided by programmed microprocessors towers over the entrance lobby of the museum thanks to support from the Kongsgaard Goldman Family.

It began like many myths do: in darkness. Thin beams of light panned over the space from the back of the house, curious and searching. Nishimura and Kohl descended upon the stage with headlamps strapped to their brows, exploring the space with a playful curiosity. Once they arrived, lighting by Jessica Trundy illuminated the set and established the world of the performance. Transparent projection screens stretched across three points of the set, two of which concealed platforms the performers utilized throughout the performance.

So we have a youthful, impetuous character on our hands. The brash invasion into the city from the forest differentiates him from his fellow Way of the Bird King kin. His stance—crushing a bench under his foot with two open, ready-for-action hands at his hips—seems to invite a challenge. Yet his demeanor is not overtly hostile and resembles more of a teenager's defiance. He seems possessive of the National Nordic Museum, posted at the entrance like a guard.

I found them in the middle of their half-workspace, half-gallery corner of flea market paradise. They were surrounded by their signature beso bears and clutching a black marker with a corgi sock as a custom grip. A 6x4’ painting with three bears appearing to pounce in place in a meadow with a stream hung overhead. A few sculptures—conglomerations of various scavenged items—were placed at the edges of this scene to delineate the creative zone.

Bruun Idun, your ancestors saw the glacial ice as it covered the world. They watched as it receded and carved this land. The retreating ice dug deeply for water to seep and swell, rising to fill basins. The water created islands, inlets, bays, coves, straits, and peninsulas. It teemed with life birthing new species and giving a home to others. The whales ruled near the surface and the octopuses kept their kingdom below the murky depths. The water blossomed as the land called to new creatures.