Four dancers opened the show with contemporary choreography to Filipino and Hawaiian tunes represented in some of Acuña’s designs. The performance included group and solo performances to emphasize each outfit.
Models flaunted the flowy drapings of each outfit and moved with ease through the dances. One dancer was dressed in open-knee white pants with a soft purple satin top and an upcycled scarf sourced from the Philippines. The top’s center opening resembled the orchid and reflected the palette of purples in Acuña’s finale piece.
In the main show, models walked out from the sides of the stage and met with a model partner at center stage. Unlike a traditional fashion show, these models had a considerable amount of time during their walk. They sauntered not across but around the stage.
The final dresses contrasted next to each other as the models walked. One dressed styled purple, and the other white. These dresses were more form-fitting with bodices and hip-accentuating accents. One used palm fibers as the bottom half of the outfit, and the stiff, raw texture of the fiber helped create a natural shape to the dress that was not as present in other outfits throughout the show.
Across the makeup artists, videographers, photographers, and models, Living Waling Waling had over 20 QTPOC talents in the entirety of the production. The range of models demonstrated the dedication to dress across the body spectrum and to empower everyone to find their style. Acuña hired her cast and crew from their artist network, from personally asking models to finding photographers and videographers from past projects.