As the FIFA World Cup looms on the horizon, Seattleites are proactively bracing their communities and neighborhoods for impact. Organizations such as the CID Coalition, Stop the Sweeps, the Seattle Solidarity Budget, and more launched the Protect Our Pitch 206 Campaign, a collective movement aiming to intercept the harm that accompanies mega sporting events. 

Now that we have finally left behind a dreadfully hot summer, gardeners all over the Puget Sound will be adding a layer of mulch to their soil and taking delicate plants indoors, while others, like me, will be keeping a careful eye on their indoor plants and making sure the heater is set low. Although we are about to move out of the ripening season for many of our beloved local Washington fruit (sweet Honeycrisp apple, how I will miss you!), that doesn’t mean that the Evergreen State’s farms and gardens will be empty or that there won’t be any gardening opportunities ahead for all of you green thumbs! If you’re hoping to keep your head in the gardening game, you need not look further than your own neighborhood.  

 “I’ll see you in twenty-five years.” These were the final words the spirit of Laura Palmer whispered to Agent Dale Cooper during the season two finale of Twin Peaks in 1991. In 2017, Laura’s farewell became the backdrop for Twin Peaks: The Return, the third and truly final season of David Lynch’s and Mark Frost’s beloved cult classic. And now, The Return returns. This time it’s being presented across Seattle by The Grand Illusion Cinema, The Beacon, Northwest Film Forum, and SIFF. 

At its reopening in 2014, the Egyptian was a first run movie house for arthouse cinema and international films, much like it was under previous management. Toward the end of its lifespan, the Egyptian became the venue where SIFF would host more of its revival, restoration, and thematic programming. It is where Noir City and Scarecrowber found enthusiastic crowds. It is also where SIFF hosted Capitol Hill's pinkest party in July 2023 with joyously raucous showings of Barbie.

For Today I Am A Boy by Kim Fu stopped me dead in my tracks. 

The pure poetry in every line feels like something akin to Medeline Miller (The Song of Achilles) or Ocean Vuong (On Earth We Are Briefly Gorgeous), easy-breezy but powerful, simple and complicated. It is difficult to find a writer quite like Fu, with such command over a narrative, seamlessly moving between past, present, and future without a single falter. Each line felt like its own universe so carefully crafted, and the whole novel moved like a symphony harmonizing in unison. 

The bitter adage, “Seattle isn’t what it used to be,” recently increased in circulation after the shocking news of the Crocodile shuttering the doors of Here-After and Madame Lou’s. In their statement, the Crocodile asserted that they are committed to the longevity of their main stage—unfortunately, it comes at the cost of their smaller comedy and music venues.

Cosplay has a rich history often overlooked in the mainstream geek/nerd culture. As an artform often seen as ‘cringe’ or ‘embarrassing,’ a lot of people don’t know much about the cosplay scene or its events, but the truth is that it’s a vibrant community of dedicated fans, crafters, and performers. To separate cosplay from fandom culture is a disservice, as cosplay remains one of the oldest expressions of fan dedication along with fanfiction, conventions, meet-ups, and fanart. 

“People on food stamps are lazy!” A phrase I and many others have heard too often. In the summer of 2019, I was in my 2nd year at the Seattle Aquarium, managing a little over 400 community partnerships, serving on several boards and committees, and I had just become the newest member of the Washington State Environmental Justice Task Force. 

I was also on SNAP (Supplemental Nutrition Assistance Program) benefits. Food stamps. 

Impossible Maps, a dance concert choreographed by C. Asa Call and performed at Yaw Theater, explored the ever-agonizing experience of grief and how, despite its wretched terrain, it can and must be navigated. Under a mythic lens, it interwove expressions of humanity’s despair with the mourning of Earth’s seasonal cyclical deaths and its inevitable final destruction.

October 27, 2025, marked the 25th annual Gregory Awards held by Theatre Puget Sound. Performers, designers, and theatre makers and lovers all filed into Town Hall Seattle decked in their finest fashion for a night to celebrate the artistry and creation of the performing arts. After an hour to mingle, socialize, and give toast to the year’s winner of the Gregory A. Falls Sustained Achievement Award (John Bradshaw), guests gathered in the pews of the Great Hall for the start of the ceremony.

On the evening of Monday October 27, actors, theater crew, directors, and producers (along with their families and friends) gathered at Town Hall Seattle for The Gregorys. Twenty-five years of celebration and recognition from and for the theatre community, the theme apt and invited dazzling outfits: One Night, Many Stars. 

Seattle Trans Underground Film Festival (STUFF) held its first viewings on October 16, 2025, at the lovely Northwest Film Forum. I had the honor to snuggle into a cozy theatre amongst a host of creative Queer and Trans individuals to watch the festival’s first double feature, CW’s Laughtrack and Henry Hanson’s Dog Movie. There were many laughs and a few tears shed, especially at the films’ closes, where both received minutes-long applause.

October 16 was Opening Night of The Little Foxes at the Erickson Theatre in Capitol Hill. Directed by Ryan Guzzo Purcell, this fall show is a collaboration between Intiman Theatre and The Feast. The play runs through November 2. Written by Lillian Hellman in 1939, The Little Foxes is set in the early 1900s, and follows a fractured southern family at war with each other over money. With a Gothic sensibility and a satirical, sharp wit, the play feels very contemporary and relevant to reality now, despite approaching a century in age.

With less than one week until the much awaited Gregory Awards, there is much yet to do. Fashion choices must be decided, scenes rehearsed, and speeches prepared. While all that is happening, let’s take a look at who’s going to be there and how their stars rose. 

This month has been harrowing for Trans* folks all over the country, with the government shut down due to—among many other things—a disagreement between parties about Trans* healthcare expenses, a few troubling responses to the ‘No Kings’ protests over the past weekend, and more medical misinformation being spread by the current administration. It has been a difficult news week. 

Andrew Bell is a Seattle-based filmmaker whose feature debut, Bleeding (2024), has received attention from the broader horror community in the past year. The film follows teenage cousins Eric (John R. Howley) and Sean (Jasper Jones), in a world where vampire blood is a highly addictive drug. While on the run from Sean’s dealer, they run into a sleeping teenager (Tori Wong) locked in a house, and things spiral into a morbid nightmare. Bleeding tackles intense real-world problems while maintaining the heightened fantasy of horror.

You wake up in hazy, hot darkness beneath your comforter. There is a sound coming from somewhere in your room. It is the sound of a foot, shifting positions. It is soft, but heavy, as if someone tall is trying not to make any noise. You go through your list. Your roommate. But he is gone until Tuesday, and it’s Sunday. And why would he come into your room unless it was an emergency. Your girlfriend, but you saw her last night at her place and then left. Sometimes she comes here to shower after the gym, which could be it. Very quietly, you turn your wrist towards your face. It glows green, illuminating the time: 3:32 a.m. So yeah. Your girlfriend would not be coming from the gym at this time.

This past year has been a time of wonderfully huge growth for our li’l publication that could. We’ve taken our first steps from the online woods into the public eye around town, and we couldn’t be happier with our trajectory as the new year approaches. We’re immensely grateful to everyone who’s come along with us on the journey and helped us reveal our creative natures via support and readership.
As such, it is with great pride that we announce that The Echo is the media sponsor for The Gregorys!

Tucked in the jagged seam between the end of one theatrical season and the start of another sits the Gregory Awards: a chance for the artists and theater companies of the region to be recognized and celebrated for their achievements and outstanding performances throughout the year.

Nowadays, people are buying twice as many clothes as twenty years ago and disposing of them just as much. This phenomenon exacerbates the presence of worldwide. It is often attributed to fast fashion, which promotes excessive buying. 

The FXRY (pronounced “fix-ery”) is offering a sustainable alternative.