Communion Restaurant & Bar: Homecoming on a Plate
Communion Restaurant & Bar sits inside the historic Liberty Bank Building in the heart of Seattle’s Central District. For me, this wasn’t just dinner; it was a return to my roots. I grew up on 20th & Union, and this exact spot used to be Thompson’s Point of View, a restaurant I frequented all through elementary school. Eating here felt like stepping into a memory with a modern twist.
The Return on Silver Screen Proves Why Fans Come Back to Twin Peaks
I have watched The Return several times now since its release in 2017. Each time, it feels like descending into a cave that should feel familiar—haven’t you been here a hundred times already? And yet, each descent into the third season of Twin Peaks feels almost alien. There are always hidden caverns to explore, new narrative threads to pull and unravel that often feel like they lead you nowhere.
Twin Peaks: The Return Offers Meditation on Grief, Feeling Life in the Moment
Two days after the dream, I entered a darkly lit theater in Northwest Film Forum to the familiar sound of the synth-heavy, nostalgic yet eerie Twin Peaks theme song, and shuffled into a seat. I was about to spend two hours watching episodes five and six of Twin Peaks: The Return (2017), as part of a collaborative screening of the entire 18-episode season held by Northwest Film Forum, SIFF, The Beacon, and The Grand Illusion Cinema between November 13 and December 16 of this year. I had only watched the first four episodes of the first season of David Lynch’s masterpiece series set in our home state. But there I sat, going in blind.
Studio 18 Supports Emerging Artists with Shared Delusions
Their exhibit opened to the public for a one-day event on Saturday, November 15 at Studio 18 Artist Collective. “This is a very historically [sic] arts building. They used to throw raves here in the ‘90s, early 2000s,” Reinhardt stated. The building is tucked beside train tracks underneath busy roadways—empty and bustling all at once. At the top of a thin staircase was the gallery opening, alive with visitors and music.
Nebula’s Portals to Immersive Experiences Rise from Cafe Nordo’s Remnants
In the winter of 2022, Cafe Nordo, a company who created beloved immersive theater and dining experiences within Pioneer Square’s Nord Alley, closed its doors and set its gaze to a dream of the future. After thirty original productions hosted in its two venues, the Culinarium and the Knife Room, the company decided to seek out a larger, more accessible home to produce and sustain boundless creativity. As they searched for real estate with sufficient accommodations, the dream world began to take shape. A rift, so to say, opened beneath Cafe Nordo, and out emerged Nebula.
Performative Femme Contest: Uplifting Our Queers on a Dime (and More to Come)
Each femme featured their own unique prop or presentation. Some read Queer theory, some read Sappho, and some read two books at once. The queens who weren’t reading were reapplying their makeup, doing the splits, singing Chappell Roan, or giving flowers out to the crowd. To gain their favor, contestants would flirt with the audience through notes, suggestive gestures, handfed strawberries, and at one point a collar-and-leash lead.
Greenwood Artists Fight Fascism with Flair and Community Support
Corey Skullcrusher, an artist with the Waiting Room, appeared in full aristocratic flamboyance to accompany their “monstrosity.” From dress to wig to bloody neck, Skullcrusher embodied beheaded nobility. The presence of such elegance brought forward a message of resistance. Skullcrusher explained that the guillotine was historically the most humane way to oust those who were abusing power. While the golden cardboard guillotine may be a bit campy and cheeky, “it’s very specifically a message.”
Twin Peaks: The Return Premiered with Die-Hard David Lynch Fans at NWFF
Twin Peaks, and indeed the entirety of David Lynch’s oeuvre, was and will always be a communal experience for me. I saw my first David Lynch movie, Mulholland Drive, in an almost-sold-out screening at the SIFF Egyptian in 2023. From then, I watched Blue Velvet, Inland Empire, Eraserhead, and more, reporting my jumbled but inspired thoughts, theories, and emotions back to more senior Lynch fans and friends. Though an endlessly long watchlist prevented me from visiting the humble, beloved town of Twin Peaks, Lynch’s passing in 2025 awakened the urgency to make the trip.
Impossible Maps Questions Life and Grief Through Dance
Impossible Maps, a dance concert choreographed by C. Asa Call and performed at Yaw Theater, explored the ever-agonizing experience of grief and how, despite its wretched terrain, it can and must be navigated. Under a mythic lens, it interwove expressions of humanity’s despair with the mourning of Earth’s seasonal cyclical deaths and its inevitable final destruction.
And the 2025 Gregory Award Winners Are…
October 27, 2025, marked the 25th annual Gregory Awards held by Theatre Puget Sound. Performers, designers, and theatre makers and lovers all filed into Town Hall Seattle decked in their finest fashion for a night to celebrate the artistry and creation of the performing arts. After an hour to mingle, socialize, and give toast to the year’s winner of the Gregory A. Falls Sustained Achievement Award (John Bradshaw), guests gathered in the pews of the Great Hall for the start of the ceremony.
One Night, Many Stars: Gregory Awards Fill Town Hall Seattle with Camaraderie, Joy
On the evening of Monday October 27, actors, theater crew, directors, and producers (along with their families and friends) gathered at Town Hall Seattle for The Gregorys. Twenty-five years of celebration and recognition from and for the theatre community, the theme apt and invited dazzling outfits: One Night, Many Stars.
STUFF Kicked Off with Hilarious, Mundane, Relatable Trans Moments
Seattle Trans Underground Film Festival (STUFF) held its first viewings on October 16, 2025, at the lovely Northwest Film Forum. I had the honor to snuggle into a cozy theatre amongst a host of creative Queer and Trans individuals to watch the festival’s first double feature, CW’s Laughtrack and Henry Hanson’s Dog Movie. There were many laughs and a few tears shed, especially at the films’ closes, where both received minutes-long applause.
The Little Foxes: A Haunting Examination of Fractured Community
October 16 was Opening Night of The Little Foxes at the Erickson Theatre in Capitol Hill. Directed by Ryan Guzzo Purcell, this fall show is a collaboration between Intiman Theatre and The Feast. The play runs through November 2. Written by Lillian Hellman in 1939, The Little Foxes is set in the early 1900s, and follows a fractured southern family at war with each other over money. With a Gothic sensibility and a satirical, sharp wit, the play feels very contemporary and relevant to reality now, despite approaching a century in age.
On the Boards’ What Is War Shows Us What Our Televisions Do Not
What Is War, devised by Eiko Otake and Wen Hui, told a gut-wrenching story of the sufferings of women within war-torn nations, one which has been endured by generation after generation since before antiquity: that of brutality, sexualization, and objectification.
Jeffrey Combs Indulges Nerds at Neptune for Re-Animator’s 40th Anniversary
Released in 1985, Re-Animator was loosely adapted from H.P. Lovecraft’s 1922 novelette, “Herbert West—Reanimator,” and while I would gladly change my legal name to “Official Lovecraft Hate Account,” I try not to hold the association against the movie. Director Stuart Gordon, whose background was in theater, originally planned Re-Animator as a stage production. Then it evolved into a television pilot, which was expanded into a feature film.
Masculinity Interrogated at Local Sightings Film Fest
Local Sightings Film Festival returned to Seattle for its 28th year from Sept. 19-28 at Northwest Film Forum. I was able to catch the second weekend of the festival and view three feature-length documentaries from Pacific Northwest filmmakers as well as the All in My Head horror shorts. A tendency in the weekend’s selections was examining large-scale social issues from a personal place, following people enmeshed in the heart of these issues. I noticed a clear thread in several of the films I saw: They contained powerful interrogations of masculinity.
Commingling at HUMP: Festival Newbies and Veterans Savor Sexuality on Screen
Upon arrival, we mingled, got in line for the bar, and sat in the lobby chatting about the excellent playlist, the overall vibe, and any preconceived notions (of which there were few). Once the doors to the theater opened, we meandered in, a perk of arriving early and secured seats that would allow for the optimal middle-of-the-theater view. We tried to answer the trivia questions as they popped up on the screen, the preshow displaying information about the sponsors as well as information for submitting a film to HUMP! for next year.
HUMP! Redefines Community with Humans’ Most Basic Instinct
On The Boards hosted the “pervs” of Seattle for part two of its 20th anniversary year. Submissions from all over the world to our backyards were carefully curated down to a selection of erotic short films that have a little bit of everything for everybody. And at least one thing that expands your mind to possibilities previously unthought of.
For Colored Boyz Beautifully Presents Black Men in Their Own Words and Worlds
On September 5, I attended the West Coast premiere of For Colored Boyz (On the Verge of a Nervous Breakdown/When Freedom Ain’t Enuff), written by Bryan-Keyth Wilson with direction by Lynette Winters and Ry Armstrong and choreography by Jimmy Shields. Brought to us by The Underground Theater, the play was described as a choreopoem, utilizing poetry, movement, and music to detail the unique intersectionality of being a queer Black man in America.
Witness Immersive Experiments with Seattle Audiences in The Double
Witness Immersive is a New York and London based company which has spread its innovative creativity to various cities around the country. Its second show in Seattle, The Double, performed by a stellar local cast, brought an interdisciplinary performance medium to the city which has thus far gone mostly untapped—immersive dance theatre.
