I joined The Echo because I see the same spark and desire in everyone who creates with us. When one of our writers interviews someone with important, silly, or beautiful things to say about their work or life, we all shine. When another writer pours their thoughts and emotions into a piece of narrative or poetry, someone’s cup is filled for the day. Or when still another Creative captures a salient scene with their camera, Truth regains a beacon.

We Are Not a powerful graphic novel. Written and illustrated by Josh Tuininga, We Are Not Strangers explores the relationship between Marco, a Jewish immigrant, and his friend, Sam Akiyama, a first generation Japanese American. Marco and Sam navigate the discrimination and displacement of their communities in the aftermath of Pearl Harbor and during World War II while trying to look out for their families and for each other.

The Evergreen Echo, a burgeoning PNW arts and culture publication, has secured fiscal sponsorship through Shunpike, a Washington-based arts organization that provides artists with equitable access to vital expertise, opportunities, and business services via their programs, such as Fiscal Sponsorship, ACES: Artists of Color Expo and Symposium, Shunpike Artist in Residence & Storefronts, and The Studio @ 2+U.

Three prisoners staggered out of the truck: two men and a woman. The men knew each other. Their hands grazed and their gazes met. The woman stood alone, clinging to the broken neck of a violin. They were all unchained, but fear and shock were as good a shackle as any. Until it was disrupted, at least. 

The true value in community media is in the way it forges local connection and identity, providing spaces for diverse voices—something that is often lost in conglomerate media, who tend to cite the same sources (often one another), parrot the same talking points, and create an overwhelming agenda on behalf of their owners or investors.

On my way to the station, several people complimented my shirt or my hair, others smiled as I walked past, and even more strutted by in intricate outfits, displaying various Pride flags in all manners of ways. In a sea of rainbows and smiles, I made my way home, thinking about those who had come before me, the Queer and Trans* elders I would never get to meet. What would they think of the current state of the movement? Would they think we were “loud” enough?

Ivy watched as the evening workers and night dwellers shuffled down the sidewalks, heads bowed against the omniscient glow of the streetlights that’d borne witness to their savage furies. 

Warning, the voice began again. 

Ivy lifted a cigarette to her lips, inhaled, let the smoke sit and coil through her lungs like a breath of life before she blew it through the crack of her propped window. Only the stub of the cigarette remained, its embers hot against her fingers. But it was good for a few more puffs at least, and god did she need it. 

I closed out Pride Month by attending the fabulous and charming Queer Talent Show at Friday Afternoon Tea in Wallingford. This Queer and woman-owned business is a wonderful location with kind and knowledgeable staff, and their get-together for the end of Pride was cozy, loving, and all-around magical. Owned by the amazing Friday Elliott, Friday Afternoon Tea is quite simply the place to be.

Aaron Johnson (he/him) is on a mission, the type of undertaking that comes to you through lived experiences. Ben Wilson (he/him), the producer of and participant in the short film Dark and Tender, invited me to attend the film’s screening at the Seattle Black Film Festival. The film, which aims to be a larger documentary, tells the story of the CUT Project.

On June 10, 2025, I had the fortunate and unique opportunity to sit down with Seattle artist Heidi Fairall. Her quirky and whimsical style shows not only to how she perceives art, but life itself, and was refreshing and inspirational for aspiring creatives alike. For myself, she made me think about how I approach the creative process when it comes to my own projects.

Descendants continue to confront parallel systems of oppression in every aspect of life. This often manifests in resistance by way of creative expressions that support sustainability and showcase ingenuity. Every year on this date, many descendants pause to reflect on the resilience of their ancestors and celebrate their legacy. The Threads of Freedom exhibit at the Tacoma Art Museum is one such example in the Puget Sound.

On June 15, millions of Americans took part in the No Kings protest. In Seattle, around 70,000 protestors marched from Cal Anderson Park in Capitol Hill to Seattle Center. Whether you were among them or not, the ripples of the protest could be felt all over the city. For weeks, I have seen people with signs and heard chanting from around my block in the University District, and on my usual weekend commute, I have watched protestors stand together around Seattle Center. This is the first truly hopeful week I have had in a long time, and in the middle of Pride Month, knowing there are so many people willing to fight against this administration has been inspiring.

Sometimes, to see yourself reflected back at you can be a radical experience. 
This was how it felt at Moving History – The Queercrow Archive, Volume 3 on June 8 at Northwest Film Forum. The event was the third annual installment of a collaborative project between two Seattle nonprofits devoted to preserving history through video: Scarecrow Video and MIPoPS (Moving Image Preservation of Puget Sound). 

It’s very different from my experiences growing up moderately religious in the South. It took away the shame and self-blame. In heteronormative, vanilla sex, there are too many unspoken expectations, too many assumptions about what’s going to happen, that some people just begin following the script without any sort of communication. This, I believe, leads to situations like what 17-year-old me experienced, where I left thinking I had led someone on and realized years later that I was actually assaulted. I don’t know if he knows this though.

It is refreshing to have a press dedicated to queer stories. It is even better that these stories are so accessible. Many of Northwest Press' offerings are available digitally for download as well as in traditional paper and hardback. The price of each is much more affordable than the latest from the big publishers as well as in a beautiful package. There is something for everyone at Northwest Press, and as it says on much of their wonderful merch: Comics are for everyone. 

When asked to attend the 2^nd annual Seattle Fetish Ball and write about it, I only had one question at first: What do you even wear to fetish balls? I’m the type of person that needs to look at menus, check parking, and figure out how long a walk from place to place is. I like being informed, but mostly I have a fear of being or looking out of place. Luckily, they had guidelines. Fetish wear required, it was clearly intended to be a safe space for the fetish/kink/alternative communities.

Whole Washington hosted their first philanthropy event to raise money and support toward universal health care. Many health professionals and volunteers joined recognizable political and nonprofit community leaders at The Historic Mt. Baker Community Center on May 17.

Firelight flickered on the walls, and the crackling grew into a roar. In the amber glow, a face watched her pass, little eyes staring out from an old photograph of her daughter. 

Ivy was twelve when Leonna last saw her. The girl was Leonna’s greatest pride. The one creation of hers whose heart seemed truly pure. She hoped Ivy had remained that way, indelible and defiant against the cruelties of the world, never letting them break her. 

On December 7, 1941, the attack on Pearl Harbor marked the start of the United States’ involvement in World War II. It also started a wave of fear and unrest throughout the country, leading to an overwhelming prejudice against Japanese Americans. “Most of us had no ties to Japan,” Lilly Kodama, a survivor, explained. “We had never been there. We had never even seen it.” Similar to the reactionary racism and prejudice against Arab Americans following 9/11, the discrimination against Japanese Americans had no true basis in fact, and President Franklin D. Roosevelt’s Executive Order only created more harm and prejudice against an already vulnerable community.

The saddest part about attending the Seattle International Film Festival is the moment you realize it’s almost over. I have gotten to see some unforgettable films this season, thanks to the diverse and unique sensibilities of the 26 SIFF Programmers, who began their research and selection process last August for this year's festival. SIFF 2025’s final weekend is now upon us, and there’s still time to take advantage of some of the must-see films, now showing at the five SIFF and SIFF-partner venues around the city.