The Divided Line: Ivy [Part 1]

It began slowly—the plague, the greed, the riots. Revolutionaries rose up behind symbols, murals, and songs, while the masses were fed machinery and religion. In the wake of the destruction, politicians deemed art a dangerous thing—a worthless thing—and the masses agreed. They took away the paint, the books, and the instruments. But they could not wholly silence the artists. These are the stories they left behind.


Dusk fell heavy over the city, blanketing the sky in an oppressive dark. At the hour, the luminous skyscrapers had slowly begun to flicker out, and speakers blared through the emptying streets. 

Warning, said the electric tinged voice. The nine-o’clock curfew has now begun. Return to your homes immediately. Warning. All violators will be detained. 

Ivy watched as the evening workers and night dwellers shuffled down the sidewalks, heads bowed against the omniscient glow of the streetlights that’d borne witness to their savage furies. 

Warning, the voice began again. 

Ivy lifted a cigarette to her lips, inhaled, let the smoke sit and coil through her lungs like a breath of life before she blew it through the crack of her propped window. Only the stub of the cigarette remained, its embers hot against her fingers. But it was good for a few more puffs at least, and god did she need it. 

The evening train rumbled between the skyscrapers, sleek and plain. Tragic. 

The train Vero had painted had launched through the city at dawn while the masses flocked to their office buildings and corporate cults. She’d watched the train pass from ground level, had hollered victoriously with the encroaching sun. Vero’s art had struck a stunning contrast to the sterile city, loud in its proclamation.

But in a flash, it had disappeared; vanished like a dream, like Vero.

Grief burned in her eyes and sank its teeth into her chest. It had all gone to hell since then. 

A faint sound rapped at Ivy’s door. She stiffened, stomach sinking. She closed the window and smothered the cigarette. The knock came harder, fast and rhythmic—like gunfire. She grabbed a knife on her way to the door. They would not take her without a fight.

Through the spy hole, however, there were no soldiers as she’d feared. Rather, she found the close cropped head of a boy. Isaiah.

Ivy dropped the knife and tore open the door. Before he could even mutter a word, she had the boy wrapped in a tight embrace. 

“Oh,” said Isaiah, melting slowly into her hold. They stayed there for a moment, banishing all else with the comforts of this hug. But at last, Isaiah pulled away, eyes puffed red with unshed tears. He sniffled, muttered an awkward, “Hello.” 

Ivy set her hands on his shoulders, not yet ready to release him in case he should vanish too. “They cut your hair,” she said. His face was gaunt, and his skin was smudged with dirt. He had a half-empty duffle slung around his shoulder. 

“Do you hate it?” he asked, glancing bashfully at his feet.

“No,” said Ivy. “It suits you.” With his curls, he’d looked too much like Vero. She took the bag from the boy. “Did you run?” she asked. He was meant to be at an orphanage in the lower city.

Isaiah nodded, and a door slammed farther down the hall. He startled, looking fleetingly over his shoulder. “Please—” he said. “ Please don’t let them take me back.” 

Ivy couldn’t muster any words of assurance. She couldn’t bear the weight of another uncertain promise. “Get cleaned up,” she said instead. “I’ll make us some food.” 

nighttime cityscape over a river, skyscrapers lit up

“Luminous City” by Aleksandar Pasaric

via Pexels

They took their meal on the roof, perched near the ledge where Ivy and Vero once watched the sun rise over the city, where they’d spoken of dreams and whispered of revolution. In those fleeting moments of dawn break, everything had seemed possible. They’d thought themselves eternal. They’d thought themselves worth a damn. 

Smoke clung to the atmosphere, warping the light of the city. Ash drifted beneath low-hanging clouds, and singed pages tumbled down the street. 

Isaiah set aside his half-eaten bowl and sat, brow furrowed, for a moment before he gained courage enough to speak. “What are we going to do next?” he asked, looking to Ivy with the seeking gaze of a child who still believed everything could be fixed, who still believed someone out there would know exactly what to do.

But that someone wasn’t Ivy. There’d been potential before. Art installations, pop up performances, statement pieces, and salvage raids. None of it seemed sufficient anymore. They’d saved a few truckloads of books on that train, and in retaliation, the city had burned hundreds more. They’d burned the authors, too. 

“You’re going to do something, right?” pleaded Isaiah. His hands were trembling, and Ivy noticed for the first time that they were covered in ink splotches and welts. They’d tried to beat the art out of the boy, she was certain. Just as they’d tried to beat it out of the city. 

They would never succeed. 

“We’ll blot out the sun,” she said, “if we have to. Whatever it takes.”


The Divided Line is an original serial, updating biweekly.

Calista Robbins

(she/her) Calista Robbins has always been enraptured with storytelling in all the forms it takes. As a novelist, a dancer, a lighting designer, a theater critic, and a concept creator, she set out into the world after graduating from the Dance Production program at UNLV to find stories in the people and places she came across, and to bring them to center stage.

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Parker’s Pages: It Lasts Forever and Then It’s Over