Columns Lynette Evans Columns Lynette Evans

Soft Life, Hard Lessons: The Art of Healing Out Loud

There are seasons when life gets so loud, whispering stops working. You stop tiptoeing and walking on eggshells around your own truth. You stop shrinking to make other people comfortable. You stop pretending you're “fine” when your soul is over there banging pots, trying to be heard and have that hurt validated. At some point, you match the volume. That’s where I’ve been — healing OUT LOUD. Not in a reckless way, not in a messy way, but in a “my heart said testify” kind of way.

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Columns Parker Dean Columns Parker Dean

Trans* Talk: Finding Joy

This month has been harrowing for Trans* folks all over the country, with the government shut down due to—among many other things—a disagreement between parties about Trans* healthcare expenses, a few troubling responses to the ‘No Kings’ protests over the past weekend, and more medical misinformation being spread by the current administration. It has been a difficult news week. 

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Reviews Raegan Ballard-Gennrich Reviews Raegan Ballard-Gennrich

For Colored Boyz Beautifully Presents Black Men in Their Own Words and Worlds

On September 5, I attended the West Coast premiere of For Colored Boyz (On the Verge of a Nervous Breakdown/When Freedom Ain’t Enuff), written by Bryan-Keyth Wilson with direction by Lynette Winters and Ry Armstrong and choreography by Jimmy Shields. Brought to us by The Underground Theater, the play was described as a choreopoem, utilizing poetry, movement, and music to detail the unique intersectionality of being a queer Black man in America.

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