For Today I Am A Boy by Kim Fu stopped me dead in my tracks. 

The pure poetry in every line feels like something akin to Medeline Miller (The Song of Achilles) or Ocean Vuong (On Earth We Are Briefly Gorgeous), easy-breezy but powerful, simple and complicated. It is difficult to find a writer quite like Fu, with such command over a narrative, seamlessly moving between past, present, and future without a single falter. Each line felt like its own universe so carefully crafted, and the whole novel moved like a symphony harmonizing in unison. 

The bitter adage, “Seattle isn’t what it used to be,” recently increased in circulation after the shocking news of the Crocodile shuttering the doors of Here-After and Madame Lou’s. In their statement, the Crocodile asserted that they are committed to the longevity of their main stage—unfortunately, it comes at the cost of their smaller comedy and music venues.

Cosplay has a rich history often overlooked in the mainstream geek/nerd culture. As an artform often seen as ‘cringe’ or ‘embarrassing,’ a lot of people don’t know much about the cosplay scene or its events, but the truth is that it’s a vibrant community of dedicated fans, crafters, and performers. To separate cosplay from fandom culture is a disservice, as cosplay remains one of the oldest expressions of fan dedication along with fanfiction, conventions, meet-ups, and fanart. 

“People on food stamps are lazy!” A phrase I and many others have heard too often. In the summer of 2019, I was in my 2nd year at the Seattle Aquarium, managing a little over 400 community partnerships, serving on several boards and committees, and I had just become the newest member of the Washington State Environmental Justice Task Force. 

I was also on SNAP (Supplemental Nutrition Assistance Program) benefits. Food stamps. 

October 27, 2025, marked the 25th annual Gregory Awards held by Theatre Puget Sound. Performers, designers, and theatre makers and lovers all filed into Town Hall Seattle decked in their finest fashion for a night to celebrate the artistry and creation of the performing arts. After an hour to mingle, socialize, and give toast to the year’s winner of the Gregory A. Falls Sustained Achievement Award (John Bradshaw), guests gathered in the pews of the Great Hall for the start of the ceremony.

On the evening of Monday October 27, actors, theater crew, directors, and producers (along with their families and friends) gathered at Town Hall Seattle for The Gregorys. Twenty-five years of celebration and recognition from and for the theatre community, the theme apt and invited dazzling outfits: One Night, Many Stars. 

Seattle Trans Underground Film Festival (STUFF) held its first viewings on October 16, 2025, at the lovely Northwest Film Forum. I had the honor to snuggle into a cozy theatre amongst a host of creative Queer and Trans individuals to watch the festival’s first double feature, CW’s Laughtrack and Henry Hanson’s Dog Movie. There were many laughs and a few tears shed, especially at the films’ closes, where both received minutes-long applause.

With less than one week until the much awaited Gregory Awards, there is much yet to do. Fashion choices must be decided, scenes rehearsed, and speeches prepared. While all that is happening, let’s take a look at who’s going to be there and how their stars rose. 

This month has been harrowing for Trans* folks all over the country, with the government shut down due to—among many other things—a disagreement between parties about Trans* healthcare expenses, a few troubling responses to the ‘No Kings’ protests over the past weekend, and more medical misinformation being spread by the current administration. It has been a difficult news week. 

Tucked in the jagged seam between the end of one theatrical season and the start of another sits the Gregory Awards: a chance for the artists and theater companies of the region to be recognized and celebrated for their achievements and outstanding performances throughout the year.

What Is War, devised by Eiko Otake and Wen Hui, told a gut-wrenching story of the sufferings of women within war-torn nations, one which has been endured by generation after generation since before antiquity: that of brutality, sexualization, and objectification.

Local Sightings Film Festival returned to Seattle for its 28th year from Sept. 19-28 at Northwest Film Forum. I was able to catch the second weekend of the festival and view three feature-length documentaries from Pacific Northwest filmmakers as well as the All in My Head horror shorts. A tendency in the weekend’s selections was examining large-scale social issues from a personal place, following people enmeshed in the heart of these issues. I noticed a clear thread in several of the films I saw: They contained powerful interrogations of masculinity.

Walking into Pepper Pepper a.k.a. Kaj-Anne Pepper’s show Pink Moment: Collections at Seattle Central’s M. Rosetta Hunter Gallery feels transcendent. Predominantly a new media show with video, sound, and some photography, Pink Moment is an exploration of “pink as queer energy, movement, and magic.” Viewing the work, the color pink takes on an ethereal effect as the motion of Pepper Pepper—acting as both subject and performer—reveals a dynamic, prismatic quality that is dreamlike and hypnotizing. 

Upon arrival, we mingled, got in line for the bar, and sat in the lobby chatting about the excellent playlist, the overall vibe, and any preconceived notions (of which there were few). Once the doors to the theater opened, we meandered in, a perk of arriving early and secured seats that would allow for the optimal middle-of-the-theater view. We tried to answer the trivia questions as they popped up on the screen, the preshow displaying information about the sponsors as well as information for submitting a film to HUMP! for next year.

On The Boards hosted the “pervs” of Seattle for part two of its 20^th anniversary year. Submissions from all over the world to our backyards were carefully curated down to a selection of erotic short films that have a little bit of everything for everybody. And at least one thing that expands your mind to possibilities previously unthought of.

HUMP! Film Festival will return to the Puget Sound this fall with the second half of its 20th anniversary programming. The indie adult short film festival created by Dan Savage has been a staple in Seattle since its debut. This new collection of 22 shorts, selected from hundreds of submissions, will run 17 screenings in Seattle from September 18-27 and October 10-11 at three venues across the city: On the Boards in Queen Anne, Quality Flea Center in Capitol Hill, and The LumberYard Bar in White Center.

I began following a case titled Doe v. State of South Carolina, in which an anonymous transgender teenager (referred to only as John Doe) is challenging South Carolina’s state law which prohibits students of the opposite sex to enter changing rooms, restrooms, and other private facilities of one sex. This law, South Carolina’s Proviso 1.120, affects all students in public Pre-K through high schools, denying Trans* students the right to use the bathroom that corresponds to their identity. John Doe, who is entering 9th grade this year, has rallied the support of his family and the Alliance for Full Acceptance (AFFA), a local LGBTQ+ advocacy group.

Just a quick walk from the Westlake Lightrail Station, and a few blocks inland from the bustling Pike Place Market, Fossil & Stone Fine Art Gallery stands still and quiet amongst the normal chaos of downtown Seattle. It is a gallery that one might walk past day in and day out, never quite noticing the inspiring and beautiful art within. 

On September 5, I attended the West Coast premiere of For Colored Boyz (On the Verge of a Nervous Breakdown/When Freedom Ain’t Enuff), written by Bryan-Keyth Wilson with direction by Lynette Winters and Ry Armstrong and choreography by Jimmy Shields. Brought to us by The Underground Theater, the play was described as a choreopoem, utilizing poetry, movement, and music to detail the unique intersectionality of being a queer Black man in America.

Over the past decade, Morgue Anne has forged a creative home at The Rendezvous, a historic venue in the heart of Belltown, where, until a few weeks ago, you could see everything from live music, to comedy shows, public figure drawing sessions, burlesque performances, and beyond. “I’ve been working at the Rendezvous in one way or another for the last ten years or so. I’ve been the events and booking director for the past three years,” she said. But her experience goes beyond just booking the shows: