The 51st annual Seattle International Film Festival kicked off last night at the Paramount Theatre with a screening of Darren Thornton’s Four Mothers. The festival has grown immensely since its debut in 1976, where it showed 18 films. Now, over the next ten days through May 25, you can expect screenings of 245 films that span continents, criss-cross genres, and highlight brand new and longtime filmmakers alike.

When Leonna was six, wildfires turned the sky a wrathful shade of red. 

The sun seemed to be the glowing eye of a giant beast veiled within the smoky horizon. She feared it would consume the world. That morning, her mother had soothed her despondent cries and promised it would be all right, but Leonna never quite forgot the dreadful memory of that burning sky. 

Now, for the first time in forty years, the fury of those flames returned.

If you spend time in historical Downtown Renton, you will likely run across our next guest—just look up. Erasmus the Rooftop Dragon landed atop a crooked little building in 2019. Since then, the city of Renton has embraced Erasmus, holding the annual Dragon’s Landing festival every April to commemorate his arrival.  

Nicole Bearden (NB): I’m excited to chat today, Erasmus. I’ve never had the pleasure of speaking with a dragon before.  

Erasmus the Rooftop Dragon (ERD): The honor is yours, I’m sure.

Now known as SIFF Uptown, the theater is a hub of great cinema both new and classic. Since SIFF took over, the space has been updated with great seating, modern sound systems, and digital projection. The work that SIFF has put in has paid off, creating a space for movie lovers around the city to come and enjoy the magic of the big screen.

Let me start by saying that 2025 is STILL the year of the bird! And with a world rife with bad news, it’s a great time to stretch your limbs, put down the phone, and get outside. There’s so much to learn about the world and about our bird friends!

I’ll start you off with some basic bird facts that you can whip out at your next Birdwatching hang out.

We come to experience cinema at its purest, at its strangest, and at its least glamorous. SIFF celebrates the highs, lows, and whoas of what the world of film has to offer. It can be a lot to take in, but there are ways to ensure your experience is the best it can be. As a person who has been to a couple of decades’ worth of SIFFs, I want to pass on what I’ve learned to make the fest the best experience for the novice and the expert, the casual movie fan and the diehard cinephile. Let's dive in to make the most of the best ten days of film in Seattle!

The barkeep opened a side door and waved them in. There, in the gilded haze of flame-lit lamps, artists gathered. Poets, painters, sculptors, musicians, dancers. Artists of all sorts came to the garden to talk, create, and workshop. It was a safe place for unfettered expression. One of the last of its kind.

Created by Eva Anderson, Derek Bishé, Mali Elfman, Eric Hoff, Tommy Honton, and E3W Productions (Aaron Keeling, Austin Keeling, Natalie Jones), AOTW is a completely new flavor of production. The focus of AOTW is to create a deeper relationship between art and its participants, and the entrancing world of The Shape of the Night is completely enrapturing, entangling you in the story, performance, and atmosphere. The Shape of the Night is an art gallery, an escape room, a drag show, a play, and a magical realm.

The term "technical books" makes it sound like there are a bunch of stuffed shirts walking around with large impenetrable tomes, but Ada’s caters to far more accessible scientific, science fiction, and fantasy books. When you browse the shelves, you find that science is a broad category covering the hard sciences like biology and chemistry, the soft sciences like psychology and sociology, and the scientific arts like cooking and architecture.

Elliott Bay is a go-to spot for me. It helps that it is near my home, but it is much more than solely convenience based. The layout and the books they spotlight really draw me in, no matter what the genre is. I find myself gravitating towards genres I’m usually not interested in due to the enticing books they have on display. The staff are helpful without being overbearing, and the attached cafe serves as a nice incentive to stay a bit longer, order food, and relax with a good book.

It began slowly—the plague, the greed, the riots. Revolutionaries rose up behind symbols, murals, and songs, while the masses were fed machinery and religion. In the wake of the destruction, politicians deemed art a dangerous thing—a worthless thing—and the masses agreed. They took away the paint, the books, and the instruments. But they could not wholly silence the artists. These are the stories they left behind.

The setting sun outside steeped the city in gold, and a pleasant breeze carried the scent of budding flowers. He remembered the open fields of Anna’s family home, breaths of summer wind rustling the curtains as Anna painted by the window. 

He never should have brought her to the city.

It began slowly—the plague, the greed, the riots. Revolutionaries rose up behind symbols, murals, and songs, while the masses were fed machinery and religion. In the wake of the destruction, politicians deemed art a dangerous thing—a worthless thing—and the masses agreed. They took away the paint, the books, and the instruments. But they could not wholly silence the artists. These are the stories they left behind.

Founded in 1997, The Grand Cinema has been Tacoma and Pierce County's destination for independent, foreign, and repertory films. This four screen theater is a non-profit cared for and kept up by tremendous and tireless volunteers. Thanks to the generous donors who have already contributed to the Save the Grand campaign, The Grand hopes to purchase The Merlino Arts building in which it resides.

Photo by Stanislav

The annual comics celebration Emerald City Comic Con is a great time to discover local shops that carry books by the incredible artists you met at the show. 

Here are five shops from across the Puget Sound region that will serve all of your geeky needs. These are by no means the only shops to go to, but have made a particular impression on a comic lover like me.

It began slowly—the plague, the greed, the riots. Revolutionaries rose up behind symbols, murals, and songs, while the masses were fed machinery and religion. In the wake of the destruction, politicians deemed art a dangerous thing—a worthless thing—and the masses agreed. They took away the paint, the books, and the instruments. But they could not wholly silence the artists. These are the stories they left behind.

February 12 was, aptly, a bit of a dark and stormy night. Wet snow dripped onto the sidewalks as people in winter coats trudged into Third Place Books in Ravenna. That night, Tacoma-based writer J. Ann Thomas was discussing her newly published novel, The Spirit Collection of Thorne Hall, a Gilded Age romance novel, and her first adult novel. 

Nicole Bearden (NB): Hello, and welcome to another Iconic Convo with Seattle’s most recognizable icons. Today we are speaking with the Fremont Troll. We appreciate you spending time with us today, Fremont Troll. 

Fremont Troll (FT): Grunts, and nods slowly as dust drifts from his head to float through the air

NB: Now, you’ve been around since 1990. How have you noticed that the city has changed over the past 35 years?

Every quarter, SFS hosts the In Focus series celebrating Seattle directors and cinematographers that features shorts, music videos, and more in a diverse range of content. SFS chooses a director who has a strong intention and vision to their stories with robust elements of “framing/staging/blocking, confidence in editing, making distinctive choices, and thematically cohesive style choices,” said the SFS Artistic Director, Marcus Baker.  

February 2025’s In Focus event showcased director and cinematographer June Zandona, known for her work on Penelope, The Sex Lives of College Girls, Special, and I Don’t Feel at Home in This World Anymore. The screening featured three of Zandona’s shorts: Dancer, Wedding Video, and This is Concrete. 

This week we’re taking a look at a book that’s a bit out of my normal reviews here in Parker’s Pages. This one is an interactive Tarot card guide called Every Little Thing You Do is Magic by two Seattle artists, Callie Little and Moorea Seal. While doing my usual rounds of the local bookstore, I came across this guide while digging through the store’s collection of Tarot decks and just knew I had to have it.