JeLisa: What currently excites you about sustainable fashion?
T: The conversations and solutions that go beyond capitalism. Sustainable fashion has long been positioned as something that you buy, not something that you have, but people are beginning to realize that “sustainability” is just being used to sell more stuff, and that's really important because everyday people are a part of the solution. I love that sustainable fashion is becoming more accessible to people, not just something that the industry talks about...
JeLisa: How is this reflected in your work at Reforme U?
T: This is the core mission of Reforme U: To empower the demand side of the equation. We have to reduce consumption because this is a poly-crisis wrought by overconsumption, and if we can solve for overconsumption, then we can also properly affect overproduction. The only real incentive the industry or supply side of the equation is going to respond to is their bottom line. I’m excited to help people figure out a method of creating their dream wardrobe that doesn’t require endless cycles of consumption.
JeLisa: With all this in mind, what is the connection between style and sustainability that you want people who engage with fashion to understand?
T: Style is the most sustainable form of fashion. Fashion is inherently unsustainable, as it’s extractive. I define style as fashion + the self, so we really have to center individuals in this transition to a truly sustainable system (which I define as “able to be sustained without environmental or human harm”). Currently, we are so focused on trends and what other people are wearing, but if we center our own identities, culture, aesthetic sense, and other aspects of self that make us unique we can diversify both the supply and demand side of the equation, which will have many positive effects on the system as a whole.
JeLisa: How have your insights led to your latest projects?
T: I’m really focused on providing the general public with knowledge and skills, so currently I’m working on a series of events with a collective of practitioners in Seattle to help upskill and empower our local community here. Some real solutions include swapping clothes, mending clothes, and upcycling clothes. So, we will be hosting weekends where people can come and participate in such solutions for free.
JeLisa: Based on your experiences, what is the biggest challenge that people in Seattle face with style and sustainability?
T: It's just a misunderstanding of what sustainability in fashion means. It doesn't mean incrementally better materials or production methods, it means loving your clothes. Deeply. So much so that you will keep them for life. So, we have to start with understanding both ourselves and a bit about how the system functions and tries to trap us in cycles of overconsumption. To understand how the fashion system works, I’d recommend looking into the Four I’s of Oppression (ideological, institutional, interpersonal, and internalized). We are working against interpersonal and internalized oppression, but I think education is a key component in helping people understand the coming paradigm shift.
JeLisa: This stated, how do you envision people in Seattle engaging with your upcoming projects?
T: I just want people to find joy in understanding their personal style, and engaging more purposefully with our clothes is a great first step. I think people are afraid of fashion, and in Seattle in particular people are very anti-fashion. So, these events are designed to be fun and free. I hope it helps people understand that fashion, through the lens of personal style, can be both fun and meaningful. I hope that the events we are hosting activate people on a lifelong journey to understand themselves and their role in creating a more sustainable world.
JeLisa: If you could ask the community to make one lasting change in their style to become more sustainable, what would it be and why?
T: Buy for life, or even buy for [multiple] lives. Timelessness is not just an aesthetic, it's a personal aesthetic…by thinking of this not only in aesthetic terms, but also in terms of quality can really help us force the industry to create higher-quality products, as the industry right now is racing to the bottom in terms of both price and quality. But, we are the real force for change because they are just chasing our dollars.