Cascadia Int’l Women’s Film Fest Features Powerhouse Storytellers

The 2025 Cascadia International Women’s Film Festival was a weekend full of inspiring directors, producers, and their amazing films. From stories of scrappy heroines and documentaries rich in wisdom, the festival brought audiences from across Washington and farther. 

The weekend kicked off with a screening and talkback from honored guest Yvonne Russo. Russo is a director and producer known for her work in Vow of Silence: The Assassination of Annie Mae (2024), The Heart Stays (2024), and Viva Verdi (2024) the film that opened the festival as a Pacific Northwest premiere. 

Viva Verdi is a documentary surrounding elderly residents of an Italian retirement home designed for seasoned musicians. These masters of music cumulatively bring centuries of experience to the table teaching and mentoring students of the younger generations to progress in their music career.

Russo mentioned that in producing a documentary like Viva Verdi she writes the story and plot at the end instead of the beginning. She first gathered, then sorted and strung footage together from a decade’s worth of work to produce the final film. Through all the content and advice chosen for the film, a growing sense of greater belonging carried as a theme throughout the movie.

women directors and writers gather at Boundary Bay Brewing Co during Cascadia Film Fest

Directors and writers gather for a group photo at Boundary Bay Brewery.

Like the residents' minds, Casa Verdi is filled with endless music. If someone was practicing, chances are a group was practicing together. And regardless of the instrument, they easily joined in on the same tune. Aside from the opportunities for solitude in their bedrooms, it seemed that they were rarely ever alone. One could dream of melding into a song with friends so smoothly and effortlessly. 

Through the featured residents in the film, we witness moments when music came and went throughout their lives: playing for symphonies, taking music hiatuses, and ending up at Casa Verdi. There’s so much magic behind their eyes when they reminisce about their past. Little did their younger selves know how long and much music would play out in their lives.

This movie is important because it reminds and implores us to take life by the reins and bring all your talents to a community that uplifts you. The hope gained is the most essential part, hope for a full and lively future, wherever that may bring you. 

Russo—like many other filmmakers—was limited by funds to truly portray the director’s vision. Viva Verdi was no exception. Russo had to film over a stretch of years because the funding was not secured from the beginning. The project had to be broken down into chunks to secure funding for each time the crew visited Italy.

During the talkback, Russo said a big help to overcome these hurdles was finding a supportive crew who joined for the long ride. Finding a crew with the understanding of how funding was structured gave great transparency and agency for them to adequately discern joining the production. Russo rocked it as an artist and boss.  

Russo offered hope and community with a resounding success. We must carry the impact of these musicians’ stories to the end of our lives. 

Yvonne Russo (right), director of “Viva Verdi” and the honored guest for this year’s festival, speaks with moderator Toni Sandler after a screening of the film at the Mount Baker Theatre

Yvonne Russo (right), director of “Viva Verdi” and the honored guest for this year’s festival, speaks with moderator Toni Sandler (left) after a screening of the film at the Mount Baker Theatre.

I was tearing up—almost cried really. Viva Verdi left me stuck in my seat. By the end of it I was moved with the joy of the characters. I wanted there to be more, but like all things the film had to reach an end. 

Russo has experience in TV series and features with a strong focus on documentary filming. Some of her work can be found on streaming platforms like Hulu and has appeared on the CBS/Smithsonian, National Geographic, and TLC/Discovery channels. 

Films can be watched and rewatched from the comfort of your couch. Those viewed throughout the in-person screenings are available online to the public from May 1-10. The virtual portion of the film festival includes 23 films—20 shorts and three features. 

Thank you Cascadia International Women’s Film Festival for the stories worth sharing.

Michael Baldovino

(he/they) Michael originally moved to Seattle in 2016 to earn his MA in Industrial-Organizational Psychology and took a career path into change management serving the public sector. Michael works as an actor within the West Coast area for many commercial clients and theatrical roles in films such as Dyonisia and Cowboy Boots. He is also a Philanthropy Director for The Teacher Fund, raising money for low-income schools across the PNW. Michael seeks to provide more equitable access to the arts among queer, BIPOC, and at-risk youth and young adults. Michael raises underrepresented voices within the Puget Sound visual arts community.

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