“I just think that this film to me is like a love letter to my younger self, too. I think it's giving my younger self permission to have fun and enjoy it,” said Camden in an interview about the film. “You know, a lot of my therapy has been looking back on time—whether you're like 9, or 16, or 21, or whatever it is—and trying to hold that kid's hand and letting them see what you've built and created. And letting them actually go ‘Wow, that's so cool!’ That's sort of what this film has meant to me personally. And I would love for younger queer people to see this and let themselves enjoy the good stuff that happens to them, as it happens. Don't wait until you're in your 30s to look back."
In addition to being one of Drag Race’s most iconic queens, Lady Camden has also studied, performed, produced, and choreographed ballet. Both Willis and Camden have called San Francisco home, known among queer Americans as hosting a bevy of queer history and culture.
“I still remember the first time I met Rex and his infectiously joyful energy. I remember even more the first time I saw Lady Camden,” said Willis in a director’s statement. “I did not know at first she and Rex were one in the same, but I instantly recognized that spark that I had seen in Rex and realized this was no average drag queen. Then and there I decided ‘I must make stuff with her!’”
