Explore The Grid of Women’s Artworks at Rosetta M. Hunter Gallery

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Written By Nicole Bearden

A grid is a series of intersections: real or imagined lines that demarcate and converge to create a pattern. Grids are used in our systems of computing, to balance the distribution of electrical power, in many of our cities’ street layouts, and have long been utilized as a tool of craftsmanship and artistic expression (Agnes Martin’s 1960s works, quilts, such as those by Agatha Bennet, and multiple works by Sol Lewitt in the 1960s and 1970s are just some examples).

The Grid, at Seattle Central’s Rosetta M. Hunter gallery, features women whose works tap into the allure of the grid in distinctive ways.

Nicole Bearden

(she/her) Nicole Bearden is a former performance, media, and photographic artist, as well as a curator and scholar of Contemporary Art. She is originally from Arkansas, now from Seattle for the past 25 years, with brief sojourns in Chicago, New York, and Massachusetts.

Nicole graduated with a degree in Art History and Museum Studies from Smith College Art History and Museum Studies from Smith College in Massachusetts. She has worked as a curator, program manager, and event producer at Nolen Art Lounge in Northampton, Massachusetts, as an assistant for the Cunningham Center for Works on Paper at Smith College Museum of Art, and at Bridge Productions in Seattle, Washington, and was the Executive Producer for the art podcast Critical Bounds. 

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