To anyone not from the area, Greenwood seems like a neighborhood just like many others around the city: Easy to pass through, easy to ignore, easy to try once then never again. To locals, that couldn’t be further from the truth.

One of their best-kept not-so-secret secrets is nestled on the main strip, one of those joints where if you sneeze, you miss it. With its black façade and nearly hidden door, the Greenwood Art Collective consistently provides passersby with an otherworldly indoor art experience.

Tending bar is an art. We’ve all been to spots with awesome service, spots with wicked drinks, and spots with your favorite person making the job look easy. Here’s what it’s like behind the pine, straight from real bartender Justin “the Ron” Swanson:

Step into the Red Eye Lounge, where the air is thicker than the plot and the smoke swirls like rumors. Gunmetal Blues, the musical adaptation that's got more twists than a cat in a yarn factory, takes center stage at the Key City Public Theatre in Port Townsend, WA. But hold on to your fedoras, folks, because this ain't your grandma's noir—it's got a side of slapstick and a generous dollop of charm.

The Underground Theater in Belltown is beyond honored to present the world premiere of Brown Bodies on a Blue Earth. Directed by Brodrick Ryans and written by Cris Eli Blak, the play begs the question many of us find ourselves asking currently: What does it mean to be in [my] position of relative privilege and identities while the planet is dying and society can’t or won’t fix our most pressing issues?

Image: Photo by Giao Nguyen

Seattle Shakespeare Company has commissioned its first play: A world premiere by local playwright, screenwriter, and performer Keiko Green. Ms. Green, who splits her time between Seattle and Los Angeles, has crafted a fast-paced comedy that takes place on a college campus and centers on three roommates, one of whom is having boyfriend troubles that lead to a series of schemes in attempts to solve the problems. But, as in all great comedies, the best-intended plans are waylaid by misunderstandings, miscommunication, and even mistaken identity.

Image: The Human Library via Folio

We interviewed multidisciplinary artist Heidi Grace Acuña, asking questions exploring their journey teaching across Seattle and the lessons they learned helping them succeed. They have appeared all over Seattle and will be having upcoming showcases at Seattle Center with Artists at the Center: Spin the Look and at AXIS gallery for Still in Our Feels, both this Thursday, March 14.

Unstoppable follows the story of two best friends reconnecting when one gets a dream campaign job for a mayoral candidate in the city where her friend now lives.

If Councilmember Guzmán keeps igniting progress and starts empowering a new generation of civic leaders, what’s next? With her momentum, she could easily take on more challenging roles like mayor or governor. The people benefit from having Councilmember Guzman, a compassionate advocate and social worker, representing them. “My priority is the people, and I aim to give them a voice in every decision-making process.” she says. Often, the outspoken face suppression and silence. Yet, Councilmember Guzmán’s voice resonates even through adversity.

The Lower Depths is full of heartbreak and intense subject matter, yet this production infuses the play with an undercurrent of grit and perseverance which demands that we engage in self-reflection, reminding ourselves that we live in a city where there exists a jaw-dropping wealth gap and every soul living among us, even those who have little, deserve dignity and kindness.

“WARNING:

The following is a very American story.

Maybe.”

Two women meet—one younger, one older. They are strangers, each going outside of her comfort zone, not sure what, if anything, will come of it. Both are taking a chance, going beyond the routine trajectory of their lives. And so begins Once More, Just for You, Seattle Public Theater’s world premiere of Maggie Lee’s newest play.