Columns Zach Youngs Columns Zach Youngs

Sound Cinema: The Egyptian In Memoriam

At its reopening in 2014, the Egyptian was a first run movie house for arthouse cinema and international films, much like it was under previous management. Toward the end of its lifespan, the Egyptian became the venue where SIFF would host more of its revival, restoration, and thematic programming. It is where Noir City and Scarecrowber found enthusiastic crowds. It is also where SIFF hosted Capitol Hill's pinkest party in July 2023 with joyously raucous showings of Barbie.

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Overviews Kristel Chua Overviews Kristel Chua

Craving Live Music? We Know a Spot

The bitter adage, “Seattle isn’t what it used to be,” recently increased in circulation after the shocking news of the Crocodile shuttering the doors of Here-After and Madame Lou’s. In their statement, the Crocodile asserted that they are committed to the longevity of their main stage—unfortunately, it comes at the cost of their smaller comedy and music venues.

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Reviews Parker Dean Reviews Parker Dean

STUFF Kicked Off with Hilarious, Mundane, Relatable Trans Moments

Seattle Trans Underground Film Festival (STUFF) held its first viewings on October 16, 2025, at the lovely Northwest Film Forum. I had the honor to snuggle into a cozy theatre amongst a host of creative Queer and Trans individuals to watch the festival’s first double feature, CW’s Laughtrack and Henry Hanson’s Dog Movie. There were many laughs and a few tears shed, especially at the films’ closes, where both received minutes-long applause.

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Interviews Nicole Bearden Interviews Nicole Bearden

Pepper Pepper on Pink’s Power: Queerness, Movement, and Magic

Walking into Pepper Pepper a.k.a. Kaj-Anne Pepper’s show Pink Moment: Collections at Seattle Central’s M. Rosetta Hunter Gallery feels transcendent. Predominantly a new media show with video, sound, and some photography, Pink Moment is an exploration of “pink as queer energy, movement, and magic.” Viewing the work, the color pink takes on an ethereal effect as the motion of Pepper Pepper—acting as both subject and performer—reveals a dynamic, prismatic quality that is dreamlike and hypnotizing. 

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