Max’s Musings: Halsey

Do poets choose what they write and what inspires them?

Singer/songwriter Halsey released her poetry collection I Would Leave Me If I Could back in 2020. Halsey is most known for her albums Badlands, Hopeless Fountian Kingdom, Manic, and If I Can’t Have Love, I Want Power. Her most recent album, The Great Impersonator, was released on October 25, 2024.

When I discovered Halsey came out with a collection of poetry, I immediately added it to my must-read list. I get enthralled when musical artists or actors release poetry collections and break from their typical art form. Poetry has become more accepted and common among celebrities to make another mark of change on the world.

As a fan of Halsey’s music, I found myself intrigued by how her songwriting abilities and techniques would transfer to her poetry. Her strong, poetic voice remains seasoned, profound, and vulnerable.

I Would Leave Me If I Could delves into deep topics like abuse, love, heartbreak, relationships, and mental health. Her poem “Having” continued to stick with me even after finishing her collection. Because of this, I wanted to explore it further.

HAVING



How strange to write about

“having”

when for so long

I’ve drawn inspiration only from

longing?

 

Pink cheeks.

Stubble ripples across them

like a flower

still clinging to the earth

it was plucked from.

 

Your eyes are static electricity.

You’ve missed me.  

Halsey’s poem “Having” contains vivid imagery, enriching symbolism, and alluring metaphors that leaves the reader with insight into the internal struggle of a sad poet persona.   

I Would Leave Me If I Could by Halsey

The Evergreen Echo

Poets and artists constantly process what they lost and what they long for. This is why most of them turn to their preferred art form. It is hard to appreciate the people and things you have in the moment when you have a constant fear of losing them at any given point. Relationships come and go while others stay and grow. Halsey shares her experiences with the readers from a place of grief as well as optimism for the future. She speaks about wanting to celebrate what she has and who is in her life instead of reverting back to her old habits, inspirations, and way of doing things.

We as humans stick with what works for us. We fear change and do what we can to steady the status quo. Once we encounter the change, we embrace it, try to forget it, or fight to revert to the familiarity and the safety.  We do not want to be rendered useless. Nobody asks a flower how it feels before it is picked. Nobody asks a flower how it feels after it is picked either.

When I embarked on my poetry journey, I wrote about a variety of somber topics and emotions from melancholy to resentment to anger. Love was never one of them. Throughout my college career, my classmates from creative writing workshops would anticipate what dark poem I concocted for the week. As much fun as it was to find my niche and excel, I didn’t want it to limit my poetic voice.

When I began to foster my poetic voice, I wanted to share it with whomever would listen. I remember my mother asking me to write about happier things. Spinning my feelings in a darker way naturally materialized. Although it was not her preferred reading material, she always supported my love for the written word.

Poets are constantly establishing new voices and personas. It is a never-ending process. It is crucial for poets to let their voices evolve and not diminish them. They nurture their craft and never apologize for what they produce when it authentically forms an extension of themselves.

As a writer and a poet, every poem I write asks a lot of me creatively. I would never have it any other way.  

Maxwell Meier

(he/him) Writing has always been cathartic and therapeutic for Maxwell. He enjoys spreading his creativity through a multitude of mediums like poetry, art, and photography. Maxwell earned his bachelor’s degree in English from the University of Texas at San Antonio. He served as a poetry editor and managing editor for the college’s literary arts journal, The Sagebrush Review. Maxwell moved to Seattle, Washington at the beginning of March of 2024 with his boyfriend. When he is not reading or writing, Maxwell enjoys watching Friends, listening to Oh Wonder, or hunting for Funko Pops. He hopes to unearth the hidden gems that lie within our vast city. 

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