Journey Through Time, Grief, and Humor in Gorman’s Gold

Staged in Capitol Hill’s Annex Theatre, Marcus Gorman’s Gold (“A True-ish Jewish Story”) is one part coming-of-age road trip and one part psychedelic music video.

Directed by Jasmine Joshua and starring Rebekah Nachman and Megan Huynh, Gold follows two friends as they take a trip across America and time to uncover the raunchiest details of the Gold family’s patriarch’s secret love life. Learning about a deceased grandparent’s adulterous past might not be the fun vacation college students Frankie and Mona believe it to be. As the pair learn more, things only become more complicated.

Charlie Gold was, by all accounts, a simple man. He was a salesman, a husband, and a father. He enjoyed sports, especially baseball. He cracked bad jokes. Charlie Gold was a fun, if uninspiring, family man. Or was he something more? This is what granddaughter Frankie begins to wonder when she is entrusted with the destruction of Charlie’s little black book. Reading it, she realizes the little black book is that kind of little black book; a relic from a bygone, adulterous era.

Online poster for Gold

There are dozens of names with accompanying score marks from all over the country. Frankie, along with the help of her best friend Mona, embark on a road trip to find as many of these women as they can and interview them to learn more about her grandfather. But there’s another question festering inside Frankie, whose parents are divorced and has experienced her own fair share of heartache: Are the Golds cursed in matters of the heart?

Their lascivious road trip takes them across the entirety of the United States, from the deserts of the Southwest all the way to New England. While the book contains dozens of names, Mona and Frankie are only able to locate and contact four: Sandra, a housewife; Janice, a party animal; and Nancy, a girlboss and Charlie’s old high school sweetheart. All three women describe very different Charlie Golds. To Sandra, he is shy and even inexperienced. To Janice, he’s a sexual firecracker. Both, however, make note of his emotional faithfulness to his family. That all changes when they meet Nancy, the woman Charlie wanted to leave his wife for. 

After his kids had grown up, Charlie proposed, declaring that Nancy was the woman “he respected” (implying that he did not respect his wife and the mother of their children). Charlie Gold was no longer just an adulterer in search of physical satisfaction: he was the man who tried—unsuccessfully—to end his marriage, and then settled to stay with his wife. Frankie becomes more and more convinced that her family’s love life is stuck under a dark cloud. She believes that her father’s high school girlfriend, the one he left for her grandmother, held the answers she sought. But after the heartbreak of Nancy, can Frankie face yet another truth?

Dinosaur dance party in Gold

Sayed Alamy

The play strikes a fine balance between heavy and lighthearted, atoning for each deep-cutting revelation with a mushroom-fueled dinosaur dance party or a Chapell Roan singalong break. Frankie acts as both character and omniscient narrator, giving the play a Mean Girls-esque quality befitting a young woman’s coming of age tale. Stars Rebekah Nachman and Megan Huynh have incredible chemistry on stage, and Sophie J. Sen puts on an especially intriguing performance as “the women” (or ‘Charlie’s Angels’, as Mona calls them). Playing all of Charlie’s lovers (including his wife), she further blurs the lines between truth and secrets simply by walking on stage. 

What I found so satisfying about Gold was its earnest depiction of grief as a complicated emotion composed of sadness, stress, and yes, relief. It also varies from person to person; Carol and Daniel, Charlie’s widow and son, are both content to move forward and leave the past in the past. Frankie, however, can’t help but scratch at her grief like an old scab, only satisfied once it's raw and bleeding anew. And when her family and friends see her hurting herself and try to stop her, Frankie lashes out and pushes them away.

Despite its fun, borderline absurdist veneer, Gold offers an unflinching look at the ugliness and disruptiveness of mourning. And while the journey answers many of Frankie’s questions, they’re not necessarily the ones she was asking. 

Gold is a playful twisting of the knife, grinning as it makes you bleed. It’s playing at the Annex Theatre until February 8, 2025!

Izzy Christman

Izzy Christman (they/them) has been a freelance writer and editor for more than a decade. They studied writing at Ohio University before returning to the West Coast. Izzy has worked as a ghostwriter, copyeditor, and content writer. They've even writing classes taught at Seattle's Hugo House. Their work has appeared in a number of magazines, anthologies, and podcasts, including The NoSleep Podcast, Unwinnable Magazine, and Tales to Terrify. Izzy is an active member of the Seattle Chapter of the Horror Writer's Association.

Previous
Previous

More Than Coffee Art: Art with Your Coffee

Next
Next

Parker’s Pages: The Scent Keeper